Rachika Nayar’s latest album, *Heaven Come Crashing*, marks a significant departure from her previous work by incorporating percussion, most notably a drum and bass beat. The inclusion of this element is surprising given that her debut record, *Our Hands Against The Dusk*, contained no percussion at all.
The shift in musical style is highlighted specifically around the 2 minute and 30 second mark of the title track, “Heaven Come Crashing.” A reviewer noted being caught off guard by the beat, considering the absence of percussion on Nayar’s first album.
*Heaven Come Crashing* is described as almost entirely [the source text ends abruptly here], suggesting a substantial and potentially complete embrace of this new sonic direction. The reason for this change in style isn't explicitly stated, but it represents a clear evolution in Nayar’s musical approach.
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