Sarah Kinsley’s latest EP, titled “Fleeting,” explores the concept of impermanence. As its title explicitly says, the work is about the idea that nothing ever completely goes away. The California-spawned artist-producer delves into this theme, examining how the past lingers.
In discussing the project, Kinsley recounts a poem from Lucille Clifton, one of the inspirations behind the EP. She highlights a specific line from the poem: “Who knew dead things could come back to kill us?” This sentiment underscores the EP's focus on the persistence of things thought to be gone.
Additionally, Kinsley cites cinema as a creative influence. She says she was struck by Luca Guadagnino’s film “Queer,” which helped inspire the creation of the EP. Through these literary and cinematic inspirations, the artist shapes the narrative of her latest release.
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